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Therefore digital emulation is often the way to go.The big exception here is - of course - microphones.If the room is very dry I turn up the E.level to full.The typical settings for a rockabilly slapback echo (for guitar) on any unit are between 100 and 200 ms and very few repeats. There I use various digital delay effects (emulating tape echo for instance), as I record without echo and add it in the mix.
) or else the sound will get too muddy for rockabilly when you use both an echo and the reverb.I then use the Sans Amp GT2 pedal that can emulate the old Bassman as an insert between the amp and the guitar. The pedal can also emulate a lot of other legendary amps quite good, but so far I never used that.Echo: When you play your Fender Amp, don't use the built in Reverb that some of them have.Anyway, I AM in good company with the DD-3 as Scotty Moore (Elvis Presley) also is using one nowadays alongside with a chorus (to emulate the frequency impurity of a tape echo). I haven't tried this one myself, but the online sound samples on BOSS' website sound pretty convincing to me.However, I'd like to mention some alternatives: Other effects : Distortion : The BOSS FBM-1. I still prefer the Sans Amp though, and I think it's more HI-FI than the BOSS (It SHOULD be actually, because it's a studio effect, which is a notch or two above a guitar pedal in sound quality).